Just starting out on violin? Watch Lesson #1 to learn how to properly hold the violin in playing position. Once you've gotten that down, it's time for the next step, learning how to pluck.
Plucking, or, pizzicato, as it is formally known, is one of two ways to play the violin. The other way to play is to use the bow (formally termed arco.)
To pluck the violin, you are going to use your right index finger. Use the flesh (pad) of your finger, not the nail. Pluck about an inch and a half higher than the end of the fingerboard (meaning, in the direction closer to the scroll).
This is also a great time to learn your open strings. "Open" means you are not stopping the string with a finger from your left hand. It's just the sound of the string, as-is.
Practice this lesson to master the 4 strings on the violin. Spend about a week on it (or perhaps slightly less, if you get it down quicker), and then advance on to the next lesson!
By Marie Votapka
Since our last blog update broached the subject of music theory and the importance of knowing the notes, I thought I’d cover another aspect of music theory that I feel is commonly left out or under-taught. That topic is key signatures. Before I delve into all that, I want to define some key words, terms and symbols.
Key: In music, the key is what note the song or piece is based around. From this, you will know what scale (series of 8 notes) the piece of written music includes by default. It is indicated by showing you a certain number of specific sharps and/or flats at the beginning of the song before the music starts.
Sharp (#): This symbol (as much as I cringe to say it, the one that looks like a hashtag) indicates that a note should be played half a step higher than it is normally played. It is always placed on the staff line in front of (that is, to the left of) the note. The sharp symbol will sit on the line or space on the staff...
By Marie Votapka
Let’s talk about music theory.
What is it, why is it...where even is it? Who came up with all of this stuff? How are you supposed to learn it?
Music theory has unfortunately become known as a confusing, frustrating, even exasperating subject that at times can seem as though it is only understandable to those with some sort of special, beautiful mind.
First of all, let me just say this: everyone has their own special and beautiful mind. That may be a bit cliche, but it’s true! No one sees the world exactly the way you do, and that in itself is something special. Being an individual and using your own personal expression is a HUGE part of music, so never take your own way of hearing, feeling or communicating things for granted. Hang onto that, and use it in sharing your music with others.
Second of all, the idea that music theory is a dusty old subject meant only for composers or genius musicians is just not true. Music...
by Marie Votapka
We’ve all heard that practice makes perfect, but, is that really true if you don’t a.) practice the right things and b.) practice using the right tools?
The answer might surprise you. Practice - IF you’re not practicing correctly - can actually lead to developing bad habits, poor form or shaky technique. So the key is not only to practice, but to practice correctly! And a large part of practicing correctly involves having the right tools and resources to work with. As a violin student this would of course include having a decent instrument and bow (click here for a video on how to go about purchasing a good beginner violin), good rosin, strings and other accessories, etc.
But let’s start with talking about the good old musical education basics that apply to pretty much any instrument out there, and not just the violin: